S&A Ep 41 Thank God It's Friday: Working Girl & 9-5 W/ Laura Celeste Cannon

-

 




This week Lindsay is joined by Fatal Femmes Host Laura Cannon as they clock in for a full shift; for a Double Features of Mike Nichols' Working Girl (1988) & Colin Higgins' 9 to 5 (1980).  This is an Double that proves that 9 to 5 is all taking and no giving.

 

Listen to Fatal Femmes Here

 

Follow Fatal Femmes on Twitter @fatal_femmes

Follow Laura Cannon on Twitter @cannonlaurac

 

Follow Schlock and Awe on Twitter @schlockandawe1

Follow Lindsay on Twitter @readandgeek

 

Please Rate and Review Here


app download

Original Music Composed and Performed by Anthony King

Comments

Post a Comment

Popular posts from this blog

SCHLOCK AND AWE DOUBLE FEATURE

-
Image
The tale of Two Families: Hereditary (2018), Written and Directed by Ari Aster Insidious Chapter 2, Written by Leigh Wannell, Director James Wan In  recent years the term ‘Elevated’ or ‘Social’ Horror has term flung around for a certain kind of Horror Movie.  It’s a difficult term to define.  Is it a more emotionally complex slow burn horror that has been made with the likes of It Follows, The VVitch, and the criminally under seen Doctor Sleep.  Or is it the Horror that people or critics that think is good.  The 2010s is the decade when Get Out and Shape of Water won Oscars, and very deserved ones.  It could be argued that ‘Elevated Horror’ doesn’t really exists, that it’s just it marketing tool. After all studios like A24 and Blumhouse to some extent, have been making their business plan that revolves around more Arthouse and genre blending Horror Movies with something else on their mind is not a new phenomenon, Candy Man, Godzilla, Night of the Living Dead, The Invasion of the Body S
Read more

Wes Craven Kick Part 3 - I am a Child of the 1990s

-
Image
I was born in the ealry 1980s but I am a child of the 1990s.        It is the decade I grew up, the decade where my tastes really formed.  I like snappy dialogue, flannel shirts, boot leg jeans and short skirts.  I had a Rachel as a teenager.   It was in the 1990s where I became to really love going to the movies.  Almost every week I went to the cinema.  It's not surprising that it's this decade of Wes Craven's work that I really conncet with.  I didn't know it the time, but Craven was one of those directors that shaped by tastes as much as Tim Burton and Steven Spielberg.  And it's in this decade where Craven really hits his stride and makes some of his great movies that changed where horror went, yet again. NIGHT VISIONS 1990      Night Visions moves and feels like a television pilot.  And before you ask; yes I would have watched at least three seasons of James Remar and Loryn Locklin solve crimes together.    Night Visions is a completly in accurate depiction
Read more

THE BLOCKBUSTER, THE INDIE AND THE WONDERFUL WOMEN

-
Image
WONDER WOMAN (2017) - DIRECTED BY PATTY JENKINS  PROFESSOR MARSTON AND THE WONDER WOMEN (2017) - DIRECTED BY ANGELA ROBINSON Two movies that are about the same subject, but covering different aspects and styles.        Patty Jenkins' Blockbuster Wonder Woman from 2017 made a huge splash culturally and fiscally.  While Angela Robinson's The Professor and The Wonder Women is a much smaller intimate movie that follows the relationship between Wonder Woman creator William Moulton Marston and his inspirations that lead to to the Goddess's creation. One is a Blockbuster, a mammoth investment that was meant to be part of a huge D.C shared universe.  Professor Marston and the Wonder Women , while still distributed by Sony  (a smaller section of Sony, the section that likes awards) is a smaller and intimate movie, a single focus concerned with the inner emotions and desires of the characters.  One movie designed  to get the largest audience they can for that all important opening
Read more